£16.00 plus VAT

‘Quite possibly RR’s weirdest instrument yet… for lovers of the strange and dusty, this is clearly a must-have.’ – Computer Music Magazine Computer Music 8 out of 10

Vinyl-based three-oscillator synth with switchable 1960s or 1910s-vintage waveforms and 35 preset patches

Adjustable needle-down and background crackle sounds for 78rpm authenticity

Recall the flavour of the Birotron, Optigan and other Mellotron-era replay instruments

4.86 out of 5 based on 7 customer ratings
(7 customer reviews)

Platter Kontakt instrument 1Possibly our gnarliest, grungiest instrument yet, Platter is a kind of bastardised string synth hybrid, taking as its starting point a variety of synth waveforms but reimagining them as built into a vinyl-based replay machine. If a Solina and an Optigan were abandoned in an attic for fifty years and had babies, this is what they might sound like…

The core premise is quite a simple one: we took a variety of synth waveforms, but with a hefty bias towards the string-synth end of the spectrum, and had them pressed to custom dubplates by our local vinyl workshop. We deliberately didn’t go down the standard route of saw, sine, square for this one; instead, there are a couple of “synth staples” but also a batch of more orchestrally-themed sounds taken from old string synths and other more complex instruments. So instead of choosing “Pulse” or “Saw”, you’ve got things like “Symphonic”, “Baroque”, “Choral” and “Elegiac”. Not sure what that’s going to sound like? Try it and see 🙂

We then replayed these waves off their vinyl LPs on two vintage machines: a 1960s Dansette, and a 1910 hand-cranked portable 78 player complete with steel needle and built-in horn. The result of that process is two completely distinct sets of waves, one more-or-less true to the original sounds (but with a bit of crackle and wobble) and the other a savagely bandwidth-limited, thoroughly antique tone that warbles merrily along whenever you click in the oscillator’s Vintage switch.

The interface is where you take those starting points to the next level. You get three oscillators to play with and blend, each of which is freely selectable between the 60s wave and the Vintage version. Each wave has its own amp envelope and tremolo control (which can be set super-slow to allow the sound to fade in and out almost subliminally) plus a very useful high-pass filter. Dial this up high enough and you’re left with very little except hiss and crackle, which can be a great way to add a bit of Vintage character to a tone mainly comprised of two 60s-era waveforms on the other two dials.

Platter Kontakt Instrument 2On the right-hand end there’s a block that ties all three oscillators together using a common Filter circuit (complete with envelope), Valve saturation to push the sound harder, and the twin Needle and Groove controls. Needle controls an initial needle-down thump and simulates engaging the platters whenever you hit a key. Groove is a constant, 78rpm cyclic crackle sampled from the 1910 turntable and plays as long as you hold a note. Judicious use of these two controls can really help simulate the behaviour of an ageing Optigan-style machine. Plus of course there’s the Glitch control, for instant random patch creation (with a bias towards musically-useful patches). Click it and get immediate fresh inspiration!

On the rear panel are echo, reverb and rotary speaker sims plus modelled amp cab, all of which can take the sound in useful new directions very quickly and easily.

Platter is, fairly obviously, not a recreation: it’s an entirely original and deliberately oddball instrument. It excels at vintage-themed soundscapes, black-and-white horror movie soundtracks, moody steampunky swells, background music for turn-of-the-century punting trips along the rivers of Cambridge with a Victrola playing in the bow… if you want to timetravel your tracks into another age, Platter is here for you.  Platter also plays nicely with others: try layering it with your patch of choice and then adjusting the HPFs so it doesn’t compete, and let it lend a sheen of vintage vinyl airiness to any tone you like. In combination or solo, this is very much the one to reach for when you want a nostalgic sepia filter over your lens!

7 reviews for Platter

  1. 5 out of 5

    (verified owner)

    As a big Sparklehorse fan, I am intrigued by anything Optigon-esque and this is one of the better additions to my addiction. Can really make a straight-forward arrangement into something complex, rich and haunting.

  2. 5 out of 5

    (verified owner)

    Hauntingly beautiful and addictive. Whatever it is about a scratchy old needle that captured my attention and imagination, I wasn’t able to stop playing this. I really like the power one gets from appropriately chosen limitations. For example, the single HPF and envelope on each oscillator with a common envelope for the LPF is useful combination for this synth that gives you flexibility where it’s useful but keeps you grounded in where this synth shines. It’s pretty hard to make this thing sound bad and the well executed U/I is the icing on the cake.

  3. 4 out of 5

    (verified owner)

    Platter is unique.
    There is this constant awareness that someone is turning the wheel for you which makes it very special. Very focussed on the mid frequencies, sometimes I miss some deepness. But when I want that, there are other ways. Very well executed! Hurray!

  4. 5 out of 5

    (verified owner)

    Stunning! Unique!…I love this instrument.. beautiful vintage character *

  5. 5 out of 5

    (verified owner)

    RR makes great instruments, but their Laboratory is a great place to find weirdness. Platter is great for creating string parts. Weird string parts. And that’s before you really go twiddling with the knobs, which puts you into very weird territory. Very much fun stuff.

  6. 5 out of 5

    (verified owner)

    My first impression of Platter was: “this sounds fantastic! I just wish there was more of a variety of source sounds…”.
    Next thing I know, I realize that an hour has passed, I’ve been playing non-stop, I’ve got ideas recorded for a couple new tracks, and I haven’t gone through half of the presets yet. Platter is actually capable of producing a wide variety of sounds, from organ-ish to chimes/EP-like, from strings to flute to fuzzy synths. I am also really impressed with how the sound can evolve over time — from short and plucky, to long and evolving soundscapes, with different elements coming out over time.
    My first impression was wrong — once I listened beyond the obviously limited-bandwidth and crusty overall character of the sound, I discovered a world of beautifully cronky possibilities underneath.
    Platter is still definitely a niche instrument, but it is excellent at what it does, and its got a few tricks up its sleeve.
    Five nostalgia-infused hazy crackley stars shine through the mists of time…

  7. 5 out of 5

    (verified owner)

    I Like This. As an owner of a hand cranked 1910 turntable just like the above, I say you’ve captured the filth with aplomb. Five Stars! ! !

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