The red and blue "String" faders operate like typical organ drawbars: top is off, bottom is loud. They control three String registrations per set – Cello, Viola and Violin – which are effectively the same tone but played at pitch for the Cello, then one octave higher for Viola, and two octaves higher for Violin*. Mixing these up is very simple and gives you an instant orchestral ensemble effect. The red drawbars control the sound to the left of Middle C and the blue ones control the sound to the right, so you can set them identically for a whole keyboard of string wonderfulness, or have different registrations in the bass and treble.
The yellow drawbars are for the Bass tones: Perc, which is a one-shot percussive bass sound, and Bass, which is a good deep analogue growl. These can be blended in to the String sounds, but they only operate to the left of Middle C. Or you can disable the String drawbars and just play the bass sounds on their own, for really deep analogue bass tones. They sound gorgeous.
So on the original Logan, the sounds that emerge alter drastically depending on which Preset you have engaged. The Organ preset sounds utterly different to the Orch. preset. This was part of the reason that we broke our Rhythmic Robot version of the instrument out into five separate Kontakt instruments.
What you get, then, is five Kontakt instruments, one for each of the Presets – so you can load them individually to mimic the original Logan, or stack them up any way you like for even richer, thicker, warmer stringscapes! There was no way to do this on the original, since engaging one Preset popped out the buttons for all the others. But hey, this is a whole new millennium, and now you can have Organ with Acc., or 'O' with Orch., or even the whole damn lot of them blended up into a sumptuous frenzy of swirling chorus and swooping LFOs. Let's go crazy!